About
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My work centres on shaping narrative - finding the through-line in complex material and building stories that connect with clarity and purpose.
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Long-form storytelling has shaped the way I think about editing: structure first, rhythm carefully considered, and emotional beats allowed to land without excess. Even when working across different formats, I carry that same discipline into every project - crafting edits that feel intentional, confident and human.
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I’m interested in work that resonates beyond the immediate moment - stories that feel grounded, coherent and thoughtfully made.
Editorial Work
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Long-form projects have taught me patience, perspective and how to hold the bigger picture while solving immediate problems.
Early stages call for openness and structural exploration; later phases demand precision, speed and composure as deadlines tighten and feedback becomes layered.
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I value that progression. Each stage asks something different of you as an editor, and I enjoy guiding a project through those shifts - from development and experimentation to refinement and delivery.​ Experience has taught me how to listen carefully, filter what matters and make decisions that move the work forward without escalating the noise.
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Branded & Social-First Campaigns
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Shorter formats bring a different kind of intensity - faster cycles, tighter frames and immediate audience expectations. I enjoy that shift. The pace increases, but the responsibility to deliver work that feels deliberate and well-crafted remains the same.
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I’m comfortable adapting ideas across formats, responding quickly to evolving feedback and maintaining clarity in fast-moving environments. Whether building campaign masters or delivering multiple variations, I focus on keeping the work sharp, consistent and purposeful.
Snapshot
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🎓 Affiliations: British Film Editors (BFE)
🎯 Location: London, UK
📅 Availability: Freelance - short or long-term contracts, for remote and on-site projects worldwide