About
My work centres on shaping narrative - finding the through-line in complex material and building stories that connect with clarity and purpose.
Long-form storytelling has shaped the way I think about editing: structure first, rhythm carefully considered, and emotional beats allowed to land without excess. Even when working across different formats, I carry that same discipline into every project - crafting edits that feel intentional, confident and human.
I’m interested in work that resonates beyond the immediate moment - stories that feel grounded, coherent and thoughtfully made.
Editorial Work
Long-form projects have taught me patience, perspective and how to hold the bigger picture while solving immediate problems.
Early stages call for openness and structural exploration; later phases demand precision, speed and composure as deadlines tighten and feedback becomes layered.
I value that progression. Each stage asks something different of you as an editor, and I enjoy guiding a project through those shifts - from development and experimentation to refinement and delivery. Experience has taught me how to listen carefully, filter what matters and make decisions that move the work forward without escalating the noise.
Branded & Social-First Campaigns
Shorter formats bring a different kind of intensity - faster cycles, tighter frames and immediate audience expectations. I enjoy that shift. The pace increases, but the responsibility to deliver work that feels deliberate and well-crafted remains the same.
I’m comfortable adapting ideas across formats, responding quickly to evolving feedback and maintaining clarity in fast-moving environments. Whether building campaign masters or delivering multiple variations, I focus on keeping the work sharp, consistent and purposeful.
Snapshot
🎓 Agent: Represented by Eva Bell at Sayle Screen
🎓 Affiliations: British Film Editors (BFE)
🎯 Location: London, UK
📅 Availability: Freelance - short or long-term contracts, for remote and on-site projects worldwide